[Switched-on special] Various Artists - Metamorphoses. Electronic Interpretations of Classic and Modern Musical Works (Melodya, 1980)

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The basic formula of today's post:
Take a regular switched-on xxxx record like Wendy Carlos' Switched-on Bach, play it on an EMS Synthi 100, and you'll get this lost diamond of Russian electronic music, and possibly one of the rarest "switched on" records ever made.

Since the Synthi 100 is perhaps the most versatile synthesizer ever build (at least that's what Karlheinz Stockhausen once said) and given the lack of recordings with it (I remember Stockhausen's Sirius, some early Rolf Gehlhaar stuff and Bruno Spoerri's Toy Planet) this record might also appeal to the vintage gear fetishists.

01 - Edward Artemiev & Yuriy Bogdanov: Claude Debussy's 'Le vent dans la plaine'
02 - Vladymir Martynov & Yuriy Bogdanov: Claudio Monteverdi's 'Io mi son giovinetta'
03 - Vladymir Martynov & Yuriy Bogdanov: John Bull's 'Why aske you'
04 - Vladymir Martynov & Yuriy Bogdanov: Vladymir Martynov's 'Spring Etude'
05 - Edward Artemiev & Yuriy Bogdanov: Sergey Prokofiev's 'Sarcasms'
06 - Vladymir Martynov & Yuriy Bogdanov: Claude Debussy's 'Canope'
07 - Vladymir Martynov & Yuriy Bogdanov: Anonymous' 'Summer Cannon'
08 - Vladymir Martynov & Yuriy Bogdanov: Vladymir Martynov's 'Morning in the Mountains'
09 - Vladymir Martynov & Yuriy Bogdanov: Johann Sebastian Bach's 'Goldberg Variations Nos. 5 and 8'
10 - Edward Artemiev & Yuriy Bogdanov: Claude Debussy's 'Voiles'
11 - Edward Artemiev & Yuriy Bogdanov: Motion

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Note: File names are quite long, so it might be necessary to unpack this archive into a low level folder like C:\

Pierre Henry: Les petits métiers (1995)

In the 1980s/1990s Pierre Henry (who turned 80 a few days ago) produced a string of simply beautiful lyrical works for the West German Radio's Studio Akustische Kunst (Studio Acoustic Art), then headed by radiophonic pioneer Klaus Schöning. To me these works are among the very best Pierre Henry has ever produced. Most of them are still unavailable on disc (except for La ville, Antagonisme, Une tour de Babel).

• La Ville (1982)
• Journal de mes sons (1982)
• Crystal mémoire I (1988, with Heinz Bennent & Hanna Schygulla)
• Crystal mémoire II (1988, with Hanna Schygulla & Elise Caron)
• Une maison de sons (1990)
• Les petits métiers (1995)
• Phrases de Quatuor/Schubertnotizen (1996)
• Antagonismen (1996)
• Une histoire naturelle (1997)
• Une tour de Babel (1999)

Today we present you Les petits métiers from 1995, an anthology of Henry's film works. Henry took 15 of his compositions for film and re-arranged them to a unique sound suite with many unusual particles (e.g. Martin Luther King's voice) for you to enjoy. Please note that this recording was taped from FM radio (stereo/320) and will not necessarily please the audiophiles. But I think the sound quality is still good enough to honor the quality and rarity of Henry's composition.

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Various Artists: Serge Musician's Tape (1983)

What would Orpheus be without Eurydice? The law of large numbers has once again made it possible to unearth a remarkable finding of obscure, totally unavailable electronic music. What I'm trying to say in my broken English is that three kind readers responded to my request of the Serge Musician's Tape and submitted copies of the original post by m/n/m/l.
Heartfelt thanks to all of you for your great contributions. This post is dedicated to you (including the original poster m/n/m/l):

• Anonymous from The Netherlands - he was the first - many thanks!
• Emoc from France - please visit his amazing site with many electronic goodies - thanks!
• Segerfalk from Sweden - please visit his upcoming site with vintage analog gear - thanks!

The Serge Musician's Tape is a promo tape from 1983 containing very rare pieces composed on the mighty SERGE MODULAR SYNTHESIZER. It was posted around 2005 by m/n/m/l but became unavailable later. Here's the tracklist (the majority of pieces remain out of print); once again: this was originally preserved from cassette by the musician m/n/m/l (make sure to check out their website for other releases made on the Serge Modular). Many thanks for their outstanding work. The cover is mine.

00 - Reference Tape Noise
01 - Warren Burt (1982): You want maybe something a little intense diatonic
02 - Broadscore (=Jill Fraser & Elizabeth Myers): Esso(tm) Commercial
03 - Michael Elliot: #5
04 - Scot Gresham-Lancaster: Suburban Dream Music
05 - Brad Stilley: Official Entry
06 - Roger Powell (1983): Auroramor [excerpt]
07 - Earl Howard: Untitled [excerpt]
08 - Rick Blanchard (1982): Big Mama
09 - Todd Barton (1982): Killer Didgeridoo
10 - Planetary Peace: He is Come
11 - David Vosh & Jack Deckard: Sequence '82
12 - Ivan Tcherepnin: Santur Opera
13 - Kevin Braheny: Papoon for President
14 - Michael Stearns: Toto, I've a Feeling We're Not in Kansas Anymore
15 - Eric Drew Feldman: Butch the Dog
16 - Tom Dill: Untitled
17 - Brad Slocum: Bach Brandenburg Concerto No 5
18 - Darrel Johansen: Moto Perpetuo
19 - Alvin Curran: The Works
20 - John Wiggins: Anagenic
21 - Easy Teeth (=Paul Young & Robert Williams) (1980): Her Blade
22 - John Adams (1983): Meerstille

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Synthesizer Demonstration Record: The Serge Synthesizer Volume Two

Here's the long promised, hand-made Orpheus Records Synthesizer Demonstration Record "The Serge Synthesizer Volume Two" with rare recordings by Warren Burt and Thomas Hamilton.

The origin of Warren Burt's long-form Serge studies is unknown, ca. 1974 (I found this stuff through obscure sources). Thomas Hamilton's "Formal & Informal Music" from 1980 was originally posted by Waxidermy - I thought reposting this in a new context would be useful. I dropped the idea of adding Keith Fullerton Whitman's Stereo Music for Serge Modular Prototype because it's still in print. Enjoy!

01 - Untitled [by Warren Burt, ca. 1974]
02 - Untitled [by Warren Burt, ca. 1974]
03 - Untitled [by Warren Burt, ca. 1974]
04 - Formal & Informal music [by Thomas Hamilton, 1980] with thanks to Waxidermy

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Karlheinz Stockhausen dies at 79

On Wednesday, electronic music pioneer and one of the last living legend of contemporary music, the German composer Karlheinz Stockhausen died at the age of 79.
I met Stockhausen a few times and we were corresponding occassionally. What impressed me most was not his sheer genius (he could have been a university professor in almost any subject; his understand of science, languages and arts was breathtaking) but his total dedication to the exploration of the last remaining secrets through art. His mind didn't stop at the borders of this planet; his imagination and continous, sincere search extended to the universe and into the atoms and smallest particles. I learnt from him not only a new sense of beauty, "alien beauty" as he used to call it, derived by a profound insight into nature's very being and translated into musical language, but his unmatched ability to think beyond existing terms and to open new worlds for us. It is up to us to follow his invitation.

Honoring the universal genius and profound humanity of Stockhausen here are just two of his many invitations that he has made us:
"Leo" & "Virgo", the two parts of the zodiac in between Stockhausen was born (22 August) - from his famous Tierkreis cycle, composed for music boxes.



Karlheinz Stockhausen, may your soul be now where you have taken us so many times with your music.

[Switched-on special] Hans Wurman: Chopin à la Moog (1970)

Sorry, my English does not suffice to describe how great this music is. I strongly encourage you to form your own opinion.

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[Switched-on special] Synthesonic Sounds: Ye Olde Moog (1974)

The list of more or less notable composers who dipped into the novelty Moog scene either before they started their "serious careers" or to cash in the moog hype reads like a list of actors/actresses with early secret outings into porn.

Mike Batt (the man behind Synthesonic Sounds) is one example: While his career is peppered with some success stories in mainstream music (most recently he produced the excellent British-Georgian singer Katie Melua) his two Moog albums remain a well-hidden footnote in his biography.

After 1973's Moog at the Movies, an interpretation of famous cinema tunes, Mike now turnes to some prominent entries in the American Songbook: Scarborough Fair, Morning has Broken, Amazing Grace and House of the Rising Sun - all played on the Moog. But this isn't yet another "I was young and needed the money" lp recorded in one day to soothe a profit-hungry record company: it's still quite a nice album to listen to, even after 33 years after its making.

01 - English Country Garden

02 - Riddle Song

03 - Scarborough Fair

04 - Ash Grove

05 - The Drunken Sailor

06 - Danny Boy

07 - Morning has Broken

08 - Oh No John

09 - Strawberry Fair

10 - Streets of Laredo

11 - Amazing Grace

12 - Early One Morning

13 - Greensleeves

14 - Cockles and Mussels

15 - Loch Lomond

16 - House of the Rising Sun

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